Hmmm??!?! - Behind the Scenes of 'LANdR' (Part Two)

8) What was the creative decision for flipping the "B4 The Sun" song halfway through? The last half of that song is my favorite part of the album, but it's very different, sounding and contextually, from the rest of the album, including even the first half of that song. Can we expect to hear more of this in the future?

Raze - It's really funny you bring that up. After we released the remix for "Here Before", and saw the reaction we got from our fans about it, I made a promise/bet to Colin that we'd have an R&B joint on the new album. He denied...denied....DENIED. Yet, as soon as I played the music for him, he lost it. After that, I just KNEW what was gonna happen. So now, I make a point to bring up that I was right and he shoulda just listened to me from the beginning....hahaha.

Colin – “B4 The Sun” was 100 percent Raze's baby. It was my idea to keep that track between Prime, Twenty2 and Raze. I ended up writing a little something that seemed to go well over it, but still very unattached. After recording, Raze and I thought it would sound best with a female voice over the later part of the song, but I think Raze enjoyed it so much he made the decision to keep it in its original format. To this day I am still not 100 percent but do enjoy the song mostly for the way it came together. As for the flip, the entire album is full of these and I think really add a variety to the project as a whole.

9) What's your favorite creative lubricant? (whiskey, beer, vodka, maryjanejuanna, etc)

C - Most of the above. Altering the mind  goes hand in hand with the creative process. I can say it was probably less than STILL untitled, but shit we are gettin older. Cant get as crazy as we used too.

R - It's interesting because I took in lots of different...creative aids...I started off with MD20/20...then hit Vodka hard for a while...then landed on Whiskey. I feel the album’s wide range of sounds may reflect that. LMAO

10) Did you find it challenging to incorporate the use of nontraditional-to-hip hop instruments such as the acoustic guitar?

R - Actually, not at all. A lot of the instruments and sounds I use in production are already kinda live soundy. So when I play them, it builds a natural environment for acoustic instruments to live in.

C - Not challenging at all, it is something that has been crowning for a long time, and just needed to be put over the right project. We are musicians at the end of the day and will continue to incorporate more and more.

11) Logic and Raze...you two obviously bring two very different perspectives to this- Logic with any rock influence and Raze with the hip hop. How were you able to blend your "ebony and ivory" views on music into one delicious cohesion of sound?

C - It honestly comes very easily. We have excellent chemistry, and it is fun and therapeutic to create together. Our influences on each other become the road and the vehicle.

R - LOL...It’s cool because I’m typically the loud, hyper, outspoken, “bad guy” while Colin’s the (allegedly) down to earth, laid back, Good Guy. There’s a seriously dope Yin/Yang to our process and co-existence that really shows and shines when we create together. In spite of our differences, we just WORK and rarely disagree. There’s a balance between us that has always come naturally, I think thru the desire to just make the best art we possibly can.

12) What are the elements of this album that separates it from the other albums?

R - I believe the overall sound, feel and vibe of the album is more refined, but not really a separation from our previous stuff. It’s like growing wiser with age; you don’t really change as a person, just the way you go about handling your business, because you’ve learned along the way.

C - What separates this album is kind of up to the listener. We def feel evolution in our sound but it’s kind of like looking at yourself in the mirror every day. The change is gradual to you but can be drastic to others.

13) Why make a second Album? Both of y'all are attached, got all kinds of responsibilities and shit. Ain't like y'all can tour or be a spokesman for Under Armour baseball gloves with all poon thrown your way.

R - I think we’re both just doing what we naturally do. It’s impossible to quit doing something that you just naturally ARE. We don’t do music for any purpose other than exercising our natural drive to compose and create art. Besides, we’re dope as f*ck…why NOT make another album?

C - Whatever

14) Besides scheduling, what is the hardest part of working with musicians that you normally do not collaborate with?
C - I wouldn't say theres anything hard about it. Its new , its a challenge , thats what makes it fun.

R - I’d say incorporating their styles and vibes and perspectives into “our world”. From their creative processes, to their comfort zones. Pushing them to be as dope as possible, while respecting the dopeness we already know they already have, bcuz otherwise they wouldn’t be invited to feature on the songs, LOL.

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